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The Long Good Friday The Criterion Collection 4K UHD/Blu-Ray [PRE-ORDER]

The Long Good Friday The Criterion Collection 4K UHD/Blu-Ray [PRE-ORDER]

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Street Date: SEPTEMBER

All pre-orders in an order will be shipped as soon as they are all in stock. Sometimes this is 1-2 weeks early, sometimes this might be 1-2 weeks after the street date.

If other in-stock items are ordered at the same time, all items will ship together. If you want your in-stock items shipped immediately, please place pre-orders separately.

All dates, artwork and features are subject to change.

 

A combustible performance from Bob Hoskins is the fuse that lights this underworld saga, a landmark of British crime cinema. Hoskins plays Harold Shand, an ambitious London mobster who, just as he attempts to close a major real-estate deal with the American Mafia, finds his crime empire rocked by a string of attacks, sending him on a ruthless quest to find out who’s responsible. Abetted by an ice-cool performance from Helen Mirren as Shand’s in-command moll, The Long Good Friday is not only a gripping gangster thriller but also a vivid portrait of late-1970s Britain—a powder keg of cultural and political tensions on the verge of explosion.


 

4K UHD + BLU-RAY SPECIAL EDITION FEATURES

  • New 4K digital restoration, approved by director of photography Phil Méheux, with uncompressed monaural soundtrack
  • One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features
  • Audio commentary with director John Mackenzie
  • An Accidental Studio (2019), a documentary about the early years of HandMade Films
  • Introduction by Criterion Collection curatorial director Ashley Clark
  • Documentary about the making of the film featuring interviews with Mackenzie and actors Bob Hoskins and Helen Mirren
  • Interviews with Méheux and screenwriter Barrie Keeffe
  • Program comparing the soundtracks for the UK and U.S. releases
  • Trailers
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Ryan Gilbey

    New cover by Eric Skillman
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