Venom Limited Edition Blue Underground 4K UHD/Blu-Ray [PRE-ORDER] [SLIPCOVER]

Street Date: MARCH

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Behind the drapes... Between the walls... In your bed... A thriller to make your skin crawl!

It was supposed to be the perfect crime: the sexy maid (Susan George of STRAW DOGS), a psychotic chauffeur (Oliver Reed of THE BROOD) and an international terrorist (Klaus Kinski of NOSFERATU THE VAMPYRE) kidnap a wealthy ten-year-old boy from his elegant London townhouse. But they didn't count on a murdered cop, a desperate hostage siege, and one very unexpected houseguest: a furious Black Mamba, the most lethal and aggressive snake known to nature. It can attack from ten feet away. Its bite brings excruciating death. And it is on the loose. Now, terror knows no antidote... and the ultimate in slithering mayhem is VENOM.

Sterling Hayden (THE KILLING), Nicol Williamson (EXCALIBUR) and Sarah Miles (BLOW-UP) co-star in this gripping suspense thriller based on the novel by best-selling author Alan Scholefield and directed by Piers Haggard (THE BLOOD ON SATAN'S CLAW). Blue Underground is now proud to present VENOM in a brand-new restoration, scanned in 4K 16-bit from its 35mm IN, with Dolby Vision HDR and a new Dolby Atmos audio mix, and packed with revealing new Extras!

Media

 Watch trailer »

Bonus Materials

• Ultra HD Blu-ray (2160p) and HD Blu-ray (1080p) Widescreen 1.85:1 feature presentations
• Audio: Dolby Atmos; 5.1 DTS-HD; 2.0 DTS-HD (English)
• Subtitles: English SDH, Francais, Espanol
• Audio Commentary #1 with Director Piers Haggard
• NEW! Audio Commentary #2 with Film Historians Troy Howarth, Nathaniel Thompson and Eugenio Ercolani
• NEW! Fangs For The Memories – Interview with Editor/Second Unit Director Michael Bradsell
• NEW! A Slithery Story – Interview with Makeup Artist Nick Dudman
• NEW! Mamba Memories – Interview with Author & Critic Kim Newman
• NEW! Pick Your Poison – Interview with The Dark Side’s Allan Bryce
• Trailers
• TV Spots
• NEWLY EXPANDED! Poster & Still Gallery
• BONUS! Collectible Booklet with essay by Michael Gingold